Mushroom Girl WIP

Yeah, I'm still here.. Though I'll forgive those of you, that figured I must've flown the Chicken Coop! WOW,-- I didn't really want to believe that my last Blog Post, was more than a month ago.. But I guess it's True?!
Truth is,-- I've been exceedingly busy with Work, lately.. And that's left me with virtually ZERO time, to update things on here.

I'm still freelancing for the "Two Presidents" animation studio. Working as a BG Layout/Location Design guy, for their "Will & Dewitt" children's cartoon series.. From what I'm told, the show has already aired here in Canada. And if it hasn't already,-- it'll be airing on the WB Network pretty (I'd imagine) soon, in the U.S.A.


So what to Post?
Well, I've got about a half-dozen Pics that're in various stages of completion.. The idea was, that as I got them finished, I'd post them up.. But I just haven't found time, to give them the attention they deserve.. So, I thought I'd just post one of the better ones, as another WIP..
That's fancy Artist Talk for "Work In Progress".. Which really means: "Please excuse this half-assed rough drawing that I didn't honestly have the time or inclination (or bravura) to complete.."

I've been calling this Pic: "Mushroom Girl".. I'm not a Fantasy Art nerd, per se. But I suppose she's a kind of Forest Nymph -type girl. Influenced (obviously) by the kind of work Frazetta does, from time-to-time. Maybe like his "Pillow Book" artwork, if you're familiar with that stuff? Hopefully, there's a bit of a Dave Stevens feel to it, too.. As that too, was my intent..

I tried to clean it up as best I could, using Photoshop.. But it still looks a little rough, in spots. There's a bit of inking done on it. But you can see where I've left myself some Revision notes, too. Overall though, I'm happy with the way it turned out..

Hope to have something more substantial posted again, soon.. Thanks, for all of your kind patronage & patience!

Nelvana monkeyshines..

My entry into the Animation business, began in '89.. I passed a test to become one of the Layout Artists on Nelvana's popular 'BEETLEJUICE' cartoon series. I continued doing Layout on crap like 'BABAR', etc. But Layout, is incredibly intensive work.. And I sooned burned-out on it.

In 1993, I heard that Nelvana might be adapting Mark Schultz' 'XENOZOIC TALES' comic-book into an animated series, entitled: "Cadillacs & Dinosaurs".. And as I'd heard that Design was a much lighter workload than Layout,-- I thought I'd apply for any positions that might still be available..
Long-story-short, I got the job.. And began working with a very small (but very talented) group of artists: Ted Bastien, Leif Norheim, Mike McKay, Kurt Lehner, Koko Maung, and Franc (Francisco) Reyes, among others..
Design, was (is) very different than Layout.. There was a lot more day-to-day kibbitzing & kvetching, than I was used to.. People had the time to throw Gag Drawings around, back-and-forth. And even though I stank at drawing them, myself.. I got quite a few, tossed in my direction. And thankfully, had the foresight to save most of them..

Ted Bastien, was our Design Supervisor.. A very talented artist, that basically showed me what Design was all about. I definitely learned a lot from him. And because our Final Artwork required very-finished linework.. I was also able to teach myself "inking", at the same time!
In hindsight, I suppose I was something of a whiner & complainer. I can get frustrated when a Production isn't running, the way I think it should. And Ted, (of course) picked up on this! Here's a couple of funny drawings that he did of me:

That's Ted, peeking around the corner.. And me, complaining about Ray (Jafelice) who was our Director on "Cads & Dinos".. I was an early fan of Dan Clowes' 'EIGHTBALL' comic-book, too. And I used to bring them into work..
Ted seemed quite taken with the David Greenberger 'Duplex Planet' 1-pagers, that appeared in that comic.. The writing of these strips, were based on the verbatim (and largely incoherent) ramblings of the Retirement Home citizenry; where Mr. Greenberger worked his Day Job.. Hence the obtuse "Run like a Goddamned Deer" comment.. heh

Another guy (who wasn't on our crew) that liked to poke fun at others, was: Dave Thomas.. Later, he turned out to be a quality Storyboard guy on shows like 'DOG CITY', etc. He always had a very dry wit & killer sense of comedic timing..
He seemed to like to draw me with a bullet Head & Body.. I guess the 1st one, was intended to be me as a "Simpsons" character? I dunno.. The color scheme makes me think so, though.

Mike McKay, was another dry wit.. Later, he would go on to be a much-in-demand Effects Designer. Which meant, a lot less Drawing for him to do. Mike is the guy that coined one of my studio nicknames: "Two Dawgs" Dannys.. All because I had the temerity to eat 2 whole hotdogs for Lunch, one afternoon?! Didn't seem like a very Big Deal, to me.. But I guess it was, to him! heh
He also also got a kick outta calling me "Dick", rather than "Rich".. Hence, the following caricature:
Ted Bastien musta liked the sound of that.. 'Cuz while we were working our way thru the "Cads & Dinos" Production schedule, he concurrently worked on his own pet project: a comic-strip, featuring different members of our studio crew.. I think that Mike McKay was a bit put-off to find out that his sole cameo in the strip, involved being portrayed as a derelict vagrant -type, that me & Ted (as the main Detective characters) ran over with our old-school Sedan? haha

The big hulking dude crashing thru the wall of Blayne's (Burnside) Variety store, is none other than Pat Rowsome.. He wasn't on our crew. And I didn't really know him, all that well. But Ted loved drawing him as a raving sociopath. And he was definitely the so-called "Villain", in his storyline..
I can recall watching a Super Bowl game at Pat's house once, with fellow friend: Rob Walton.. I dunno where Pat is, now.. I heard he got married to a girl named Sheryl.. And (I think?) may be now working in Ottawa..
Speaking of Rob Walton.. He did this killer Gag Drawing of Pat & myself, facing off against each other.. Rob liked to call it: "Clash Of The Titans", if memory serves? I found the joke a lot less funny, after Rob explained to me that I WASN'T necessarily being portrayed in Perspective, here!! heh
Even so, I think I could still give "The Pat", a run for his money..

"Clash Of The Titans" was (I believe?) inked by virtuoso artist: Goran Delic.. A Serb import to Toronto, that I didn't really get to work with fully, 'til we both began working in Design, on Jim Lee's 'WildC.A.T.S' cartoon series..
At that time (around '94, I think?), it wasn't uncommon to see me schlepping my way into work (up Atlantic Avenue), most mornings.. Wearing my usual "uniform", ably illustrated by the following Goran ink sketch:

I recall him saying: "Here you are, Reetch.. Now, you are truly a WILDcat!!" heh
Those that know me, realize that the outfit continues to be 'de rigeur'.. I still like my coffee, t-shirts, and jeans.. And though the Doctor's Bag isn't nearly as pristine as it once was.. It continues to carry all of my valued Field Guides, Layout Notes, and reams of Animation Paper.. Cintiq & Sketchbook Pro, be DAMNED!!

A little insight into some of my Nelvana Daze.. Hope you likey?
Talk to y'all laterz!

Cheese Products!

Yes, it's finally come to this, Dear Friends..

Last month, I was contacted by a friend that works at a local Ad Agency.. I'd done some freelance illustration work for him, in the past. But this time, he promised me that he had "real work" for me to do..
Turns out his company had been hired by an International Foods conglomerate, to reinvent the Character Design for a line of their peelable Mozarella Cheese.. They'd been market-testing their existing Character model.. And found it wasn't really connecting with the 11-12 year olds, like it was intended to..

Now I'd done some freelance illustration work for advertising, before.. But this was going to be a bit different, in that it was purely "Development Art".. Rather than, finished packaging artwork.
They wanted something that was fun & light-hearted. A bit kooky. But with a little Hollywood "cool", as well.. He supposedly leads an "active" lifestyle. So they suggested he might possibly be an X-Gamer or Superhero -type, too..

This was my first pass, on the thing..

Really, I just wanted to try and nail down what Body Type he would be, first.. The long & wiry scheme that they had already, seemed to work best. It shows off the flexibility best, etc.. It's such an odd foodstuff, that I imagined maybe an off-the-wall Wally Wood -type Alien guy might work, too. But it ceased looking like the actual stringy Cheese product..
I did a number of different approaches.. I think they liked this guy, the most. Though they mentioned it was perhaps looking a bit too "retro". And was skewed too old for their target audience..

I kinda dug the idea of doing a few Superhero -types, too.. The one guy in the cape, was a riff on the character designs of cartoonist: Benito Jacovitti.. I confessed to the agency, that the small cheese snake, was (in fact) a verbatim ripoff of one of his designs. And really wouldn't be a good idea to use..

My girlfriend Suzanne & a few other Animation friends, liked that one best..
The "Cheezkateer" was a last-minute idea, of mine.. Trying something a bit different, just to see what the reactions would be..

One of the ad execs suggested that perhaps a Jack Cole 'PlasticMan' or FF's "Mr. Fantastic" might be a good jumping off point.. given their flexible/bendable nature? I liked the idea, immediately. But I wanted to retain the goofiness.. So I came up with "Cheez-Lad". Who I imagined as a kind of pimply/awkward Teen.. The kind that used to appear on those 'Firesign Theatre' comedy records! haha
As an afterthought, I also did a Surf Dude.. I wanted someone not quite as goofy. A bit more Beatnik & Bohemian.. Yet, still "active". I like the way the jaunty walk turned out, here..

Though I didn't tell the agency outright, I wasn't terribly keen on the 'X-Gamer' approach.. If only, because it would entail adding a lot of inane Safety Equipment (Helmet, Knee Pads, Elbow Pads, etc).. bogging down the overall silhouette. And killing the stringy hairlines, I'd been working out..

In the end, I think I liked the Surfer Dude idea the best.. It could just as easily be Snowboard or Skateboard, I suppose.. I amped-up the thin/stringy quality, and felt I was getting closer to what I wanted..
The one featured above, has the slacker/hedonist thing going.. But he still looks a bit too poufy/gay.. Maybe it's the damned Turtleneck, or something? He has that arrogant Parisian "look" about him.. And, that wasn't my intent.

Anyways, the job was real good FUN!!
It's not often you get paid decent money to just "play" with Visual Ideas.. And I'd certainly welcome the chance to do s'more of it again, soon!
Though I've been paid for my work .. I have (unfortunately) not yet heard how the Project is proceeding.. I know that there were a few other artists that were also contributing Designs for this.. So perhaps, they've chosen to go in a different direction entirely..

Sorry, for the long delay between Postings.. I'm hoping the next one, won't take quite so long.. See y'all later!!

Paradise Comicon 2007

Well, a complete week has already slipped by since the Main Event.. But I'm in desperate need of a Blog update.. So, I'll ruminate a tad on this past weekend's big 3-day 'Toronto Comicon 2007' event!
It was a very enjoyable gathering, as per usual.. But unless I'm imagining things,-- the crowds seemed a bit thinner than previous years? The CNE location is such a BIG Hall though, that sometimes it just "feels" like there's fewer people? At least, to me..
It's still not an ideal venue, in my opinion. And I know the organizers are aware of it, too.. It simply lacks the intimacy of their cozier 'Holiday Inn on King' venue; which they use for their 1-day conventions..
I got to meet up again, with a number of great friends.. Though, I didn't actually bump into other artist chums, 'til the last day of the Show.. And some of those, not 'til the dwindling hours on Sunday!
Talked briefly to Paul Rivoche, Cameron Stewart, and Michael Cho, too.. Finally got to trade books with Blair Kitchen and his brother Mike.. As well as, catch up with a few of my older Animation compatriots: David Bluestein, and Kurt Lehner..

Paid my respects to Darwyn Cooke, too.. And asked him how his 'NEW FRONTIER' direct-to-video, was proceeding? He told me that all of the North American production work was complete. And that it was now in the capable hands of overseas animators.. Hopefully, it'll turn out alright.. I know Darwyn was a stickler for ensuring that this 2D Animated Feature remain true to his approved Final Script.. So, hopefully, the resulting DVD, will be a memorable one!

I also got to meet up again, with a number 'Drawing Board' friends.. One memorable friend, in particular: Kieron O'Gorman.. aka "untamo1".. Who made a point of dropping by my Artist's Alley table each day, just to shoot-the-breeze, and talk Art, etc..
Kieron currently works fulltime as a Software Tester.. But is looking to changeover to an Arts career, someday. Considering the artwork he shared with me,-- this guy has got TONS of potential.. He'll do fine, in whatever artistic field he chooses to enter!
As a way of expressing "Thanks!" to whatever meagre advice I was able to share with him.. He gifted me with this beautiful Superhero gal, shown here:

Finally... Were you aware that I am: "..the BEST?!!" Neither, was I.. But yeah, I'm finally feeling vindicated!.. I've been told I'm quite simply: "..AWESOME!!!" Who am I to argue?..
OUCH, it already feels like my Head's gonna explode.. Jeepers!

Every convention, I renew acquaintances with some of the more-devout members of Toronto's fine Comic-Book community.. And from my personal experience, 2 of the very-best of these, are: 'Milo' & his girlfriend: 'Kathryn'..
Every show, they make a point to drop by & say "Hello!" and ogle my artwork.. It gives us artists a well-needed EgoStroke. And we (and our artwork) begin to feel a somewhat valuable, to the wider World?
I know that my "free sketches" may have SOMETHING to do with them consistently coming by my Table, too? haha

I'm generally a pisspoor Con Sketch dude.. But lately, I've been getting better at it.. Milo was smart enough to play to my own perceived strengths.. And this time, asked for "The Old Witch" from the vintage 50's-era EC Comics.. A character I've drawn a few times, before..
This, was the result:

I noticed later on, that I'd forgotten to draw a 4th finger on her Right Hand? Oh, well..

Milo also writes (and podcasts!) regularly for an excellent online Comic-Book resource, entitled: 'Digital Kontent'.. You can follow the Link posted in the above JPEG.. Or, if you'd rather read specifically about his 'Paradise Comicon 2007' experiences.. THAT Link, can be reached by clicking here: 'shplort'!!

Have a Great Weekend, everyone!! And I'll TTY'all again, soon!

ULTIMATE Spider-Man!

I've been meaning to become more active in some of the "Drawing Jam" threads that exist, over at 'The Drawing Board' community I'm involved with. I've been a Moderator in their "Instruction" section, for a number of years now..
They have a number of "Jam" threads stickied throughout most of the different sections.. If you're interested in joining, please do give them a look!

I chose to submit to the "Spider-Man" thread in the 'Superheroes' section.. It was a Drawing that I'd had sitting around half-finished, for a long while. And as it was finally apropos, now.. I decided to finish inking and coloring it..
You can view the original inked drawing, by clicking here!

If it hasn't already been completely obvious to you.. The image is meant to be a riff on the artwork of classic MAD Magazine's artist: Don Martin.. I had an old 3-pager he'd done, that featured a number of funny gags using Marvel's Spider-Man character.. Of course, I had to make sure that I also used one of his unique 'Sound Effects', too! hah

Don Martin passed away in 2000, after a battle with cancer. He was 68 years old..
In 1987, he stopped working for MAD. He'd gotten into a disagreement with it's publisher: Bill Gaines.. And for the next 6 years, did work for MAD's competitor: 'CRACKED'..
Sadly, Martin had degenerative eye condition, which made it increasingly difficult for him to draw, in his latter years. He had a number of operations, to try and remedy the problem.. But still required special magnifying equipment, and a handful of freelance"inkers", to help him complete most of his work..

The RIPPING FRIENDS in: "Beef Rescue"!

I've been in a bit of a drawing slump, lately.. So for a new Post, I decided to just drag out an older illo & try throwing some color onto it? Here's the result:

In 2003, a local Toronto kid named "Julian" approached me at a comic-book convention.. He asked if I'd do a "Ripping Friends" commissioned Drawing for him? I said sure. But then he told me that he not only wanted the entire Foursome.. But that he wanted them geared-up in the same Spacesuits they'd worn in the "Frictor" episode?! Oh, yeah.. And also? Please include at least 1 of the cows that were in the "Ovulator" episode, as well...
Sheesh!!

Well, I always enjoy a challenge.. And fortunately, still had all of the necessary Model Sheets, too..
So, I simply invented a screwy scenario where 'Jimmy The Idiot' and the Cow, were rescuing the stranded RF team, somewhere on the Moon.. Bringing them heaping helpings of sorely-needed MEAT, to sustain their heroic strength!! heh

Hoping to post some "fresher" artwork soon, folks.. Apologies.
See yuz, later!

The Genius of HANK PORTER..

I was cruising thru sections of eBay a few nights ago.. When I came across a Seller that was auctioning off samples of 'Original Art', by Disney artist: Hank Porter.. Most of these, look to be developmental sketches.. Or perhaps, ideas that never made it Final Art.. But they're still mighty cool to look at!


After I attended Sheridan College in the early 1980's.. I spent some time working retail for 'The Dragon Lady' comic-book shop, here in Toronto.. It was then, that I first discovered Porter's work as a Designer of military insignia for various WW2 detachments. The designs would occasionally appear as full-page promos, in the older issues of 'LIFE Magazine' that we'd sell..

There was something about these Designs, that fascinated me.. Seeing familiar Funny Animals, acting in overtly aggressive ways.. These emblems seemed an ideal blending of Cartooning & Illustration disciplines. Iconic poses of animated creatures, delineated in rich colors & lush inklines!


Not long afterwards, I wrote to the Disney Archives, asking if they could help direct me to find more of this WW2 material? Their Archivist: David R. Smith wrote back a kind letter, stating that almost ALL of the Disney insignias were printed in a Stamp series once, designed to raise funds for the War Effort.. But that due to a lack of interest, little of this material has ever been republished by the Disney Company.. And he felt that there wouldn't be significant public demand, to reprint them now, etc.

Well, he must've received a few more inquiries, after mine.. Because only a few short years later (in 1992), 'Abbeville Press' published the terrific 'Disney Dons Dogtags' book! An album that I dearly love.. Yet I wish it had been more complete, too.. As it contains only a fraction of the overall artwork, actually created.


Hank Porter began running his own successful Commercial Art studio in Buffalo N.Y., in 1925. He later applied for a job at Disney, in 1936.. Where he became a valuable staff artist in their Publicity Art Department, 'til 1950.
From the very beginning of WW2, different military units began adopting divisional "mascots" as their representative insignia. And though both the 'Walter Lantz' & 'Warner Bros.' studios also contributed insignia designs,-- the lion's share of them, were still created by Hank Porter thru Disney Studios..
Porter headed up Disney's official 'Military Insignia' department.. Designing & drawing most of the emblems, himself. And supervised the work of others.. including, artist: Roy Williams. Simultaneous to this work, Porter also contributed artwork for many of the illustrated adaptations of Disney's 'SILLY SYMPHONY' cartoons; that appeared monthly in 'Good Housekeeping' magazine..

If you can still find the 'Disney Dons Dogtags' book.. I heartily recommend getting a copy!
To read (and SEE!) more about the career of Hank Porter (and others),-- I'd also direct you to visit the most-excellent David Lesjak BLOG entitled: 'Toons At War'..

See ya!