Frank Frazetta, R.I.P.

While downtown this afternoon, I heard the news that Frank Frazetta has passed away due to a stroke, at the age of 82.. He was easily my favorite artist of all time. Perhaps not a great surprise to anyone that has followed this Blog?

When I was a wee lad, I happened across a copy of Ballantine's 'FANTASTIC ART OF FRANK FRAZETTA Volume 4' at the Cole's Books shop on Yonge Street, near the old Scientology offices. I recognized the paintings inside that book, as the same mesmerizing images that I'd seen on my favorite Paperbacks, at our local libraries. So in the weeks that followed, I spent all of my available allowance money at Cole's, buying up all of the previous 3 Ballantine volumes of Frazetta's work!

Words fail me, in knowing where to begin to describe how his artwork has affected me personally.. I've probably written about him on my blog, more than I already should have, for fear of boring everyone. But if you're interested,-- you can peruse my earlier postings on Frazetta, simply by clicking on the "Frazetta" label on the bottom of this post..

I know that Frazetta has had a very difficult time lately, with the children squabbling over his artwork & museum. I wish that he didn't have to live long enough to witness any of that ugliness, firsthand..
And with his history of health problems, it must've been a heavy cross for him to bear. But I had a hunch that when his wife Ellie passed away, that it would likely have made it very tenuous for him to go on.. And part of me is actually happy that he's found a peace where he can finally join her, once again.

See ya, Frank.. You were quite simply the Best that ever was!

WEHT Dave Stevens?

WEHT: "Whatever Happened To Dave Stevens?.."

That's a title for a Discussion Thread, that I've seen on a number of different Internet messageboards, over the past couple of years.. Frustrated 'comic art' fans & enthusiasts, wondering aloud where Dave Stevens has been? And what has he been up to?!
In hindsight, it turns out.. Dave spent most of his time, simply attempting to restore & retain his health, as best he could..
I was aware that he'd not been feeling well, of late.. But was surprised to hear of his personal battle with Leukemia. Sadly, it was a war that he lost, sometime on Monday, March 10...

Like most other fans, I first got to know Stevens' artwork, in the early 1980's.. In the wake of the rousing success of his 'The Rocketeer' comic-books. Even now, I still marvel at the excellent draughtsmanship & lush, slicker-than-slick inking! Amongst many favorites, Dave quickly became "the favorite comic artist.."
In 1985, while attending a comic-shop signing.. I even convinced another favorite: Mike Kaluta.. to draw me a sketch of Dave's famous creation, for me.. A chore he relished, he told me. As it was his favorite current comic character, as well..
If you're like me.. Once you've familiarized yourself with Dave's art.. Then you can't begin to imagine a reason why anyone would draw things, in any other style.. The slickness of his linework, initially sucks you in. Yet it's always solidly-drawn.. And radiates a slightly cartoony vibe, as well.
That "animated" quality, found in the movement in the Posing & Staging, may be due to Dave's pre-comic career, as an Animation storyboard/layout person. He worked for a number of years at Hanna-Barbera, before launching 'The Rocketeer'..
I think this 'Catwoman' illo for DC's Who's Who series, was one of his very best:

In 1988, I wrote Dave Stevens a gushy Fan Letter.. Along with a few of my Art Samples, for him to look at.. To my surprise, Dave took the time to send me back a lovely handwritten letter.. Turns out, he was looking for "extra hands" to help him pencil the 3rd installment of 'The Rocketeer'.. And was wondering if I'd like to take a crack at a page?!
Well, you could've knocked me over with a feather, at that prospect!..
Unfortunately, (for a number of reasons) it never came to pass.. Dave may have gotten cold feet on handing this kind of opportunity to a relative novice?.. Eventually, he gave the work to 2 more experienced hands: Art Adams and Sandy Plunkett..

In 1999, I attended my 1st-ever San Diego Comic-Con. I travelled there, with my buddy: Tom Ranheim.. A Norwegian fellow, who still runs the 'The Authorized Dave Stevens Website'. We both made a quick beeline for Dave's table. And he was very generous with both of us, despite our completely nerded-out behaviour..
When we both attended Comic-Con again, in 2001.. Dave allowed us to visit his studio in L.A., afterwards.. A cherished memory, to be sure!! Here's a photo of 'Yours Truly', nervously cradling one of the many pieces of 'Original Art' that Dave had lying around his studio space. You can see that I'm leaning back a bit, so as not to dribble any of my drool, on the Bristol Boards! ha ha
During that period, Dave had been busy working on an ambitious Illustrated Novel, featuring his latest creation: "Mimi Rodin"; a female heroine, designed after the likeness of fitness model: Marla Duncan.. The page on top, shows 'Mimi' in profile.. Underneath that, you can barely make out a half-finished watercolor illo, featuring 'Mimi' in the underground Catacombs of turn-of-the-century France..
Dave also gave us a quick tour of the Art College he was attending.. I forget the name of it now, unfortunately.. But Dave was quite enthusiastic about the place. He was studying 'Oil Painting', there. And occasionally, he would e-mail me JPEGs of his efforts, to show his progress.. Most of them, featured straight-ahead Portraiture.. Like this example:

In 2003, I managed to self-publish my own sketchbook: "WANG-DANG-DOODLE!".. (the namesake of this Blog!) The format for which, was largely based on the kind of sketchbooks that Dave had been publishing/selling, during this same period..
Thru e-mail, I tentatively inquired if Dave would perhaps allow me to try selling my book, from his own Comic-Con booth?
Though I had the money to make the trip down to San Diego. I really didn't have enough extra $ for my own table.. Dave graciously allowed me to sit with him. And the experience of sharing time with him during the 2003 show, was another truly amazing experience!

The last e-mail I received from Dave, was dated from March 23, 2007.. Almost a year ago.
He asked me how things were going.. And I wrote him back, to keep him appraised re: how my Life was going.. I wrote him back a couple of times, after that. But didn't get a response to either message..
Not unusual for Dave.. But given the circumstances now, I wish that I'd tried a bit harder to get in contact with him..

Dave had told me then, that he'd been hard at work, putting the finishing touches on his upcoming bigass hardcover/coffee table 'Art Of Dave Stevens' book. It was to be published in 2007, thru Arnie Fenner; the genius behind the recent Frank Frazetta art volumes..
Dave e-mailed me the following JPEG, to show some of the recent coloring work he'd done..
It's excruciating to me now, to imagine that Dave will be gone forever.. And that we'll see no more "new" artwork, for our eyeballs to lavish over.. But I'm hopeful that the book he'd been so diligently working on, will still someday (somehow) see the Light Of Day?.. It'd truly be a shame, if it didn't..
Last I'd heard,-- the title had been changed to: 'Dave Stevens: A Creative Life'.. An appropriate title, for a guy that's done everything from 'The Rocketeer'.. to storyboarding Spielberg's 'RAIDERS Of The LOST ARK'.. to working with Michael Jackson on his 'THRILLER' video?!.. I can't imagine a more diverse Resumé, to be honest..
The book was set to be released at the 2008 San Diego Comic-Con.. Let's keep our collective fingers crossed & hope that this happens.. I think it'd be a great legacy for him to leave behind, for all of us..

It was an honor to consider you a Friend.. Rest In Peace, Dave!!

Modern Masters 15: Mark Schultz

Hiya Folks!

Another LONG hiatus from the ole Bloggy-wog.. Apologies, once more.
If you've been following Suzanne's blog,-- then you have probably already surmised the reasons for not posting so much.. One big (tiring!) word: "Renovation".
I did manage to find some time to purchase this week's 'JUSTICE LEAGUE: The New Frontier' 2-disc DVD release.. Watched it, and enjoyed listening to Darwyn Cooke's commentary on how he felt the whole "adaptation" thing went over, too.. Suzanne suggested I should definitely "do a Blog post" on it.. But I'm really not sure what to say about it yet. So I thought I'd go in another direction..
Actually, a LOT of great books have been coming out, lately.. Including last week's beautiful 'Alex Raymond' hardcover.. But I wanted to highlight the most recent Volume (15) in TwoMorrow's MODERN MASTERS series of trade paperbacks, featuring: Mark Schultz. I'm not a huge fan of the way this series chooses to showcase artwork. But the interviews, are generally very well done. And this one, is no exception..
Back in early Nineties, I was out of the Animation business for a brief spell.. Having totally burnt-out on doing their Layout work.. I chose to go on a self-imposed hiatus from Nelvana, where I'd been working.
I can't remember what I was doing instead, now.. Probably a bit of comic-book retail work at either 'Dragon Lady' or 'The Beguiling'..
But when I heard thru the Grapevine that Mark Schultz' 'XENOZOIC TALES' comic-book had been optioned as an Action/Adventure cartoon thru Nelvana.. I got my Portfolio back together & made a trip down to the studio, to see if I could possibly get some work as a Designer on it..
Luckily, Ted Bastien thought I'd work out okay.. And for my first-ever "Design", Ted assigned me the (daunting!) task of drawing up an Establishing Shot, featuring the cartoon's Main Location: "The City In The Sea".. A kind of crumbling cityscape that'd been retro-fitted with hydraulic tubing/cables & stone bridges.. Slightly over-run with fast-growing vines/prehistoric plants.. And with Pterodactyls, nesting in the upper echelons, etc.
Not having ever "designed" anything for Animation before.. I simply followed the models/templates, already established in Schultz' comic-book.. There were literally TONs of Location Designs that needed to be completed. Here's another example, of a Reverse View:

It was a pleasant surprise to see that Mark Schultz was quite involved firsthand, with the cartoon's production.. He had partnered up with 'Galaxy Films', to ensure that as much of his comic-book's appeal, would translate into the cartoon episodes.. Understandably, he had final-say on all 'Character Design' details.. And would occasionally send along Notes, that he felt would be helpful or interesting to us..
Here's a series of Sketches he fax'd us, featuring a character named: "Lashard".. I think we'd originally Designed him with some kind of metal skull-plate, 'cuz he'd had some kind of horrible disfiguring accident? And Mark Schultz wanted something a little more natural & subtle-looking, that still retained his hawk-ish appearance..
Here's another unpublished Pic he faxed us, that doesn't appear in the MODERN MASTERS book.. I guess he imagined ALL Canucks were Hockey-obsessed? I'm a Baseball man, myself!
Schultz actually came thru the Design studio, about mid-production.. I can't recall the exact date. But I remember that he brought writer Marv Wolfman, with him. As Wolfman was responsible for some of the Episode scripts, I think..
The brief meeting we had with him, was pretty anti-climactic.. He was congenial & polite. But the Nelvana producers couldn't wisk him thru our workspace, quickly enough.. Heaven forbid, an Artist should take time to talk to other Artists?!!
They were probably fearful that we'd soon get around to complaining about Budgets & Schedules, like we always do?.. hah

Ted Bastien knew that I was a big fan of Mark's work. And he used to tease me incessantly about how "my Hero was coming!".. Oh, brother! After he finally showed up,-- I found this devastating cartoon hanging over my Drawing Table:
Ted was good about trying to feature all of the members of our Design crew, into some of the episodes themselves.. I think Ted drew himself, as a Truck Driver. I remember that Kurt Lehner was a kid hanging off the back of an old Fire Engine. And for whatever reason,-- Ted thought that I'd make a perfect generic "MoleMan".. Featured in an episode where a Mining crew had to excavate below the foundation of "The City In The Sea"..

As you can see,-- Ted's got me in what he called my Rich Dannys "uniform".. Baseball turf shoes & my traditional "soup hat" with the letter 'R' on it! haha The other big bruiser almost looks like it was supposed to be fellow Designer: Leif Norheim.. But I don't think so.

The "Cadillacs & Dinosaurs" cartoon, was a memorable Job for me.. A fun project. And essentially, Nelvana's first real attempt at a genuine Action/Adventure cartoon. I think it worked out well, for a variety of reasons.. Not the least of which, was working with a realistic Budget & Schedule..
A year later, most of us began working on Nelvana's "Jim Lee's WildC.A.T.S." series.. Cranking out an equal number of episodes. But, on half of the same production schedule. I think it fared badly, as a result.. Oh, well.

That's all for now.. See ya!

The Genius of HANK PORTER..

I was cruising thru sections of eBay a few nights ago.. When I came across a Seller that was auctioning off samples of 'Original Art', by Disney artist: Hank Porter.. Most of these, look to be developmental sketches.. Or perhaps, ideas that never made it Final Art.. But they're still mighty cool to look at!


After I attended Sheridan College in the early 1980's.. I spent some time working retail for 'The Dragon Lady' comic-book shop, here in Toronto.. It was then, that I first discovered Porter's work as a Designer of military insignia for various WW2 detachments. The designs would occasionally appear as full-page promos, in the older issues of 'LIFE Magazine' that we'd sell..

There was something about these Designs, that fascinated me.. Seeing familiar Funny Animals, acting in overtly aggressive ways.. These emblems seemed an ideal blending of Cartooning & Illustration disciplines. Iconic poses of animated creatures, delineated in rich colors & lush inklines!


Not long afterwards, I wrote to the Disney Archives, asking if they could help direct me to find more of this WW2 material? Their Archivist: David R. Smith wrote back a kind letter, stating that almost ALL of the Disney insignias were printed in a Stamp series once, designed to raise funds for the War Effort.. But that due to a lack of interest, little of this material has ever been republished by the Disney Company.. And he felt that there wouldn't be significant public demand, to reprint them now, etc.

Well, he must've received a few more inquiries, after mine.. Because only a few short years later (in 1992), 'Abbeville Press' published the terrific 'Disney Dons Dogtags' book! An album that I dearly love.. Yet I wish it had been more complete, too.. As it contains only a fraction of the overall artwork, actually created.


Hank Porter began running his own successful Commercial Art studio in Buffalo N.Y., in 1925. He later applied for a job at Disney, in 1936.. Where he became a valuable staff artist in their Publicity Art Department, 'til 1950.
From the very beginning of WW2, different military units began adopting divisional "mascots" as their representative insignia. And though both the 'Walter Lantz' & 'Warner Bros.' studios also contributed insignia designs,-- the lion's share of them, were still created by Hank Porter thru Disney Studios..
Porter headed up Disney's official 'Military Insignia' department.. Designing & drawing most of the emblems, himself. And supervised the work of others.. including, artist: Roy Williams. Simultaneous to this work, Porter also contributed artwork for many of the illustrated adaptations of Disney's 'SILLY SYMPHONY' cartoons; that appeared monthly in 'Good Housekeeping' magazine..

If you can still find the 'Disney Dons Dogtags' book.. I heartily recommend getting a copy!
To read (and SEE!) more about the career of Hank Porter (and others),-- I'd also direct you to visit the most-excellent David Lesjak BLOG entitled: 'Toons At War'..

See ya!

Daniel Torres' ROCCO VARGAS!

Humble apologies, for my long absence.. I've spent the past couple of weeks, hurriedly completing my 'CFA-APA' contribution! The deadline was November 15th. And I only got it sent out via FedEx, this aft.. Fortunately, our Editors always afford us, a little bit of wiggle room!

For those that don't know.. An 'APA' is an 'Amateur Press Association'.. A kind of an old-school Fanzine, published by (and for) it's own Membership.. In our case, it's a sophisticated group of 'Original Art' collectors/enthusiasts. We only ever publish 55 copies or so, about 3 times a year.
Each issue, features a different "theme" for articles to follow. And this time 'round, it was: "International Comic Art".. So I chose to write about Daniel Torres. One of my favorite-est European artists!

Normally, writing my article comes pretty easy.. But truth-be-told, I knew very little about Daniel Torres.. Outside of the fact that he was from Spain; and that I liked his work a lot..
I found relatively little info about him, online. And what I did.. was all written in Spanish. A language which I am definitely not fluent in!
Last week (fortunately), I was able to purchase the new 'ROCO VARGAS Sketchbook' at my comic-book shop.. It's excellent!! I can't recommend it, highly enough! And that helped me sort out some of Torres details for my article..

I had a hard time just picking out a few JPEGs from the book to showcase here, on my Blog.. I only scanned the cover and a few interior pages.. It's a 48-page hardcover, that is loaded with conceptual sketches, color comps, vehicle & character designs.. And even storytelling 'page breakdowns' that you can compare to the finished books, if you have them..
The English-language translations were all published as: 'ROCCO VARGAS'.. with an added "C" to the name. The earliest stories started out as a kind of swashbuckling Space Opera.. But later issues, informed us that 'ROCCO' was in fact a mild-mannered Science-Fiction writer named: "Armando Mistral"; who just happens to get drawn into a lot of adventures, mystery, and intrigue..
I actually own relatively few of the books, myself.. As Torres' work is notoriously difficult to find on these North American shores! If you enjoy the 'Clear Line' style popularized by artists like Yves Chaland and Eddy Vermeulen.. Give Daniel Torres' work a look,-- you might really enjoy it, too!